What do you do to be happy? Graham McMullin, a student at New York’s School of Visual Arts, will pose this question to a different person each day for 100 days, as part of an assignment exploring what makes us happy and how it affects our creativity…
Designival returns to Liverpool this July with speakers including designer Morag Myerscough, Pentagram’s Harry Pearce, and Elmwood’s Jonathan Sands, chaired by CR’s Patrick Burgoyne
Bonnie Craig reports back from the Manchester School of Art desgree show, in part two of our Talent Spotters series for this university.
Designer David Moody, from 39 design, checks out what’s on offer at the Staffordshire University art and design degree show, as part of our Talent Spotters series of guest reviews of graduate shows from around the country.
If you are currently at the Cannes Lions ad festival, Monotype and CR have an evening of typographic fun (yes, you heard right) lined up for the evening of June 18
Vicki Smith, studio planning manager for 3sixtymedia, (and Nottingham Trent design grad), selects her favourite work from the Manchester School of Art 2014 graduate show, Alwaysallwaysland.
s part of our Talent Spotters series of guest reviews of this year’s degree shows, Sean Alton visits the 2014 Grown Degree Show at Hull School of Art and Design
Illustrator Marion Deuchars will be giving the next Typo Circle talk. Her subject, Making art makes you happy
Kate Mothes of art blog Young Space reports back from the Glasgow School of Art grad show, in part two of our Talent Spotters series for this university.
Illustrator Marco Bevilacqua visits Glasgow School of Art grad show as part of our Talent Spotters series of guest reviews of this year’s degree exhibitions.
For our Talent Spotters series, Kate Green visits Knock Knock, the Leeds College of Art grad show, and selects some of her favourite work.
As part of our Talent Spotters series of guest reviews of this year’s degree shows, Tom Cross picks his favourite work from the Falmouth University Graphic Design Show.
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing