Double P for PayPal
PayPal has unveiled a redesigned brand identity from Fuse Project which the company describes as “less a dramatic shift from what was, and more a modernising of what’s always been”
PayPal has unveiled a redesigned brand identity from Fuse Project which the company describes as “less a dramatic shift from what was, and more a modernising of what’s always been”
For the past five years, the National Film Board of Canada has devoted 25% of its production budget to interactive, digital projects. The work of the NFB/interactive arm has resulted in a series of beautiful, thought-provoking digital experiences that promote new ways of thinking about documentary and storytelling on the web, and beyond.
Over five years on from Bob Isherwood’s departure, Saatchi & Saatchi has announced that Buenos Aires-based Pablo Del Campo is the new worldwide creative director for the network. We spoke to him about his career so far, and how he plans to tackle the new role.
Content was proclaimed king at Ad Week Europe, found at the heart of many talks, and yet the opinions of those who create it were conspicuously absent
Speakers at this year’s Offset conference in Dublin championed creative play and the ability to turn failure to one’s advantage
Ad Agency of the Year, Designer of the Year and Client of the Year winners, selected by the CR editorial team
An inventive printing technique enabled ‘day’ and ‘night’ portraits of musicians to appear on a single poster
Redacting the title and author’s name made for a daring cover for Penguin’s new edition of George Orwell’s classic
Making hospital accident and emergency departments better through design
Play and interaction are at the heart of an innovative healing space for children set within The Royal London Hospital
A beautiful and rich wildlife storytelling experience delivered through the browser
In the Magic of Flying campaign, digital billboards reacted to the arrival of BA flights into Heathrow