Publisher Laurence King has launched a new series of illustrated art monographs, presenting an accesible visual guide to the work of iconic creatives. The series begins with a look at Jackson Pollock, Salvador Dali and Andy Warhol…
Creative consultancy Tayburn has set a series of seemingly impossible briefs for students and graduates applying to its annual placement scheme. Challenges include selling a theme park to the over 60s and putting a positive spin on an oil spill in one tweet…
To illustrate how annoying internet lag is, Swedish broadband provider ume.net conducted a fun experiment where lag was brought into the real world, via the use of Oculus Rift headsets…
In January 2013, London studio Rose was asked to review and update The Old Vic’s branding. The project is now complete and changes include a new set of typefaces from Colophon and a Royal Crest redrawn by artist Chris Mitchell…
On the hunt for some great new music videos? We have just what you’re after, with videos for Peace, Triggerfinger, Odonis Odonis, DeLux, Plaid, and Mumbai Science.
CR’s Designer of the Year honour is an integral part of our Annual issue and is usually awarded to a studio. But for 2014 we are giving it to an individual: Matt Willey. Here, we look back at some of his recent work and talk to him about his fantastic year in editorial design
Sagmeister & Walsh has designed a new visual identity for New York’s Jewish Museum based on the same ancient geometry as the Star of David.
Jeremy Tankard will launch his latest typeface and discuss contemporary type design with Catherine Dixon at a talk hosted by St Bride Library in London next month.
Looking for Rio, a documentray exploring the history and culture of football in Rio, directed by Eric Cantona and his two brothers, will have its premiere at Sidelines, a football film festival organised by Amnesty UK
The second installment in Nike’s (unofficial) World Cup 2014 campaign launches today. A four-minute-long epic, it features enough stars and skills to keep any footie fan happy…
It’s hard to believe that a web experience could emulate the sensation of drowning, but this site for marine clothing and safety equipment brand Guy Cotten does an unnervingly good job. The website is our Ad of the Week.
The Hyères International Festival of Fashion & Photography opens this weekend, including a showcase of work from ten emerging photographers.
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing