In the June issue of Creative Review, we featured a collaboration between MPC Advertising and artists Rob and Nick Carter to turn classic paintings into 3D animations. The project is now complete and will be on display at London’s Fine Art Society this month…
In Creative Review’s October issue Robert ‘3D’ Del Naja of Massive Attack discusses the artwork he created for the band, from early flyers to data-driven stage shows. Oh, and he designed the cover for us
Elle magazine has approached three advertising agencies – Brave, Mother and Wieden + Kennedy London – and asked them to rebrand feminism. Discuss.
Typographic posters from the Glory Glory exhibiton and book, curated by Alex Brown, Nick Blakeman and Craig Oldham
Designer Rick Banks explores the evolution of football lettering in a not for profit book co-authored by Sheridan Bird
Designer and visual artist Jonathan Zawada on fusing fine art and video games, creating award-winning album covers and the problem with
‘signature styles’
While many studios limit their ambitions to local or cultural clients, Browns’ ongoing relationship with global investment company Invesco is testament to the ability of smaller, independent design firms to take on the big guys
A recent show at JWT London brought together some leading GIF artists. Using augmented reality app Blippar, you can make the work reproduced here come to life
Vinyl Factory’s Creative Director Sean Bidder interviews the man behind Massive Attack’s visual direction, and co-founder of the band, Robert Del Naja
What effect will the huge amount of data on consumer behaviour available to brands have on the ability of creatives to do great work?
A visual history of America’s radical press suffers from a lack of contextual voices
Robert Opie collects the parts of visual culture we throw away, a hero on a one-man quest
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing