The first major retrospective of designer and architect MacDonald Gill’s work opens in London next month. We spoke to Gill’s family about curating the show and why his work has received so little recognition until now.
Earlier this month, the mayor of Paris handed over 1,000 of the city’s municipal signs to Japanese illustrator Kanako Kuno in order to display 50 different images of Les Parisien’s at play
An impressive line-up of coders, designers, typographers and illustrators are heading to Brighton next weekend for annual web design conference Reasons to be Creative.
Photographer Andrew Brooks and curator Andry Brydon’s latest Secret Cities exhibition explores hidden and neglected spaces in Dutch city Sittard-Geleen.
Secret Cities aims to connect local residents with their communities and show parts of cities that are rarely seen and often long forgotten.
Quite simply, Magic Beard by Ben Garvin is one fantastic beard-based animation
Eight top graduates are profiled in our September issue – each has a page with which to introduce themselves to the creative world, and we also take a look at some of their best work to date. It’s the CR Gradwatch class of 2013
New book Lolita: The Story of a Cover Girl explores the challenges of creating a cover for Vladimir Nabokov’s 1955 novel and features new interpretations from 80 graphic designers.
Aardman Animations has produced an epic and evocative set of videos for a BBC Radio 2 play celebrating the 40th anniversary of Pink Floyd’s The Dark Side of the Moon album
Blink and adam&eveDDB have collaborated on another heartwarming John Lewis ad – a 90-second stop-motion commercial promoting the brand’s home insurance service.
Marks & Spencer has enlisted a cast of ‘leading ladies’, from Helen Mirren to artist Tracey Emin and Olympic Gold winning boxer Nicola Adams, and photographed by Annie Leibovitz, to launch its autumn fashion ranges.
Graphite artzine Tiny Pencil’s second issue is a comic-themed collection of mini-zines featuring artwork by 25 illustrators.
Adam&eveDDB has created a charming print campaign celebrating cider brand Bulmers’ heritage through sharing its eccentric history.
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing