Burger art
Burger blogger Burgerac has released a part art, part recipe book featuring 24 burger-themed illustrations commissioned for 2011 pop-up exhibition Burgermat.
Burger blogger Burgerac has released a part art, part recipe book featuring 24 burger-themed illustrations commissioned for 2011 pop-up exhibition Burgermat.
Trying to adopt the web’s tone of voice is futile; resorting to using its language only makes for bad advertising copy
Container, a box of objects produced by a group of invited contributors, questions just what a magazine can be
With great care and attention to detail, small space ads can make the most of the medium
Designers are often shackled to their Macs, but it pays to ditch the screentime and go and grab a stubby pencil
The Hall of Femmes project continues to champion the work of female designers with an exciting new conference
McCann Erickson Melbourne’s Dumb Ways to Die was the big winner at this year’s Cannes International Festival of Creativity with no less than five Grand Prixs
The East London Comics and Arts Festival takes place this weekend at Bethnal Green’s York Hall and includes screenings, workshops, live drawings and talks on graphic art and illustration.
The July issue of Creative Review is a type special, with features on the Hamilton Wood Type Museum, the new Whitney identity and the resurgence of type-only design. Plus the Logo Lounge Trend Report, how Ideas Foundation is encouraging diversity in advertising and more
Bromley design studio Valle Walkley was named the overall winner at paper company Antalis’s 23rd annual print design awards for its series of books documenting talks at London dance house Sadler’s Wells.
Two Rivers, Wisconsin is home to 11,000 people, 3000 acres of forest and six miles of unspoilt Lake Michigan shoreline. It is allegedly the birthplace of the ice cream sundae and the carp fishing capital in America. It is also the home to the world’s largest collection of wood type
Type Only, the forthcoming book from Unit Editions, looks at contemporary graphic design that relies solely on typography, unsupported by illustration or photography, to get its message across. In his essay for the book, CR’s Mark Sinclair explores the roots of a design technique which has been reinvigorated by a new generation of practitioners. Here, alongside an edited version of his text, we feature some of the radical type-based projects selected for inclusion in the book