The schedule of the third and final day at OFFSET in Dublin was chockfull of illustrators talking about their work – and a common thread throughout the day has been collaborative filmmaking and animation projects…
Despite something of a melt down of the limited wi-fi at OFFSET in Dublin yesterday, highlights were delivered by Hvass & Hannibal, Ji Lee (image from his Bubble Project, shown above), and Vaughan Oliver…
Bob Gill, co-founder of design studio Fletcher/Forbes/Gill, which later became Pentagram, introduces the audience at Offset in Dublin to his witty, and deceptively simple, design methods
A founder of Poke, Iain Tait recently left his position as global interactive creative director at Wieden + Kennedy to work head up Google’s Creative Lab division. His hugely engaging talk at OFFSET was another highlight of day one…
For the launch of Vodafone’s Red service, agency Grey London worked with director Frédéric Planchon on a new campaign for the brand, The Kiss. Its the latest in a series of recent ads that evoke the solidity of a life-long partnership
Record label Ghostly is offering a special edition vinyl version of Beacon’s album The Ways We Separate which is housed in a ‘cast sugar sculptural object’ by artist Fernando Mastrangelo
Dutch designer Ben Bos was the first speaker to grace the stage at this year’s OFFSET festival in Dublin which kicked off this morning and from where CR will be reporting back over the next three days…
Harmony Korine’s latest film, Spring Breakers, features some great animated typography in its title sequences, designed by LA outfit Gentlemen Scholar. It’s “neon filled Sea Punk”, apparently
Creative Network is organising a second Let’s Talk Design event in May in Antwerp, Belgium. Speaking on the night will be Serge Haelterman of Creneau, product designer Sylvain Willenz, and Krista Rozema of agency KesselsKramer
Rememberum is a new online memorial service where users can design tributes to loved ones. For its launch the startup created one for Apple founder Steve Jobs, adopting the aesthetic of the original Mac OS interface, in tribute to his life
Design consultancy Carter Wong has rebranded Unilever’s Cornetto ice cream, as part of the brand’s strategy to reposition itself in the market
Microsoft has launched one of the UK’s biggest train station takeovers as part of a new campaign for Microsoft Office 365, monopolising a vast scale of advertising locations at stations across the UK
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing