Menswear Dog

With the internet awash in a sea of wannabe fashion bloggers, we’ve found the only fashion blog you need to be reading: Menswear Dog…

Singing in a scanner

Director Adam Powell’s latest music video (for musician Sivu’s track Better Man Than He) was “shot” using an MRI scanner at London’s St Bartholomew’s Hospital…

Spot the Land Rover

A new RKCR/Y&R print ad for the Landrover Defender features a world map made up entirely of illustrations of the vehicle’s distinctive shape

Dear Mr Gove

Kingston student Lucy Sansom has made her own contribution to the current debate around the Ebacc and creative education, hand-delivering a handlettered message to Education Secretary Michael Gove

The method of the medium is the message

For a series of installations at Leeds Print Festival, Music ditched the printed posters in favour of displaying the screenprinting screens used to print them…

CR February: Ken Garland and more

The February 13 print issue of Creative Review features a major interview with one of the great figures of British design, Ken Garland. Plus we delve into Heineken’s advertising archives, debate stock vs commissioned photography and report on a new exhibition in Paris for punk legend Linder

Jimmy Cliff says Get Happy

Some of YouTube’s angriest people join reggae legend Jimmy Cliff on a sunny hillside to sing a joyful song in a new VW spot from Deutsch

Billboard redesign by Pentagram

Pentagram’s Michael Bierut and team have redesigned the US music industry magazine Billboard, giving it a new identity and issuing a complete overhaul of its pages

McBess illustrates new Deezer spot

Illustrator McBess has worked with director CRCR to create a new TV ad for music-on-demand company (it’s a bit like Spotify) Deezer…

Shirley Tucker, Faber and The Bell Jar

When Faber & Faber picked up Silvia Plath’s novel The Bell Jar in 1966, in-house designer Shirley Tucker was given the chance to design its cover – and she came up with the perfect image. In a series of interviews filmed at the publisher’s last year, Tucker discusses this work and her time at Faber