Studio profile: Karlsson Wilker
Hjalti Karlsson of the New York-based creative studio shares their experiences of running a small, independent design business
Hjalti Karlsson of the New York-based creative studio shares their experiences of running a small, independent design business
Usage, not day rates, should determine the cost of photography, says agent Lisa Pritchard. She explains how and why its price may vary
Anna Fidalgo, one half of the London-based design and illustration duo reveals how getting an agent has helped them to establish a new studio
Hand-painted signs in Cambodia are a characteristic feature of the country’s streetscape but, like elsewhere in the world, they are becoming increasingly rare
A new book on the covers of Anarchy magazine is a welcome addition to the history of graphic design in the 1960s
By keeping cut roses in a state of suspended animation, their colours drained but their life preserved, Alexander James has created images of ethereal beauty
There are a few revelations to be found in The Unpublished David Ogilvy collection. But is this what happens when the personality endures longer than the creative work?
One way of ensuring people read the text on an ad is to use restraint. And a great image
Mirko Borsche works for some of Germany’s more staid institutions, but his work is anything but conservative. The key to his creativity is his relationship with clients, he says
When an idea drought takes hold, rather than just tidying, scrutinise the stuff in front of you to refuel your creativity
The optimism and anxiety of the atomic age was reflected in the comic books of the time, a new history reveals